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R 1 hr 59 min Oct 30th, Drama. Similar Movies. Our customer support team will contact you on your registered email address and mobile number shortly. Are you sure you want to unsubscribe? This website uses cookies to ensure you get the best experience on our website.

Hi Guest Login Register. Primary Cast. Edward Norton. Edward Furlong. Beverly D'Angelo. Fairuza Balk. Avery Brooks. Learn how we rate. Parents' Ultimate Guide to Support our work! American History X. Movie review by Charles Cassady Jr. This dark drama is not for kids. R minutes. Rate movie. Watch or buy. HD Mighty Oak. HD No Turning Back.

HD Speak Your Mind. Dirty Lines. In s Amsterdam, a family starts the first-ever phone sex line — but being in the business of sexual desires leads them to question their own. In this movie sequel to the hit series, Chuck returns home and talks to a reporter about life on the island with zany larva pals Red and Yellow. Record Series. Press right or left arrow to review items in this list.

Press enter to select. People Also Watched. Try Again. Sign Out. Back to Home. Laughing at our laws? In , when the acclaimed picture was first released, it stunned viewers with its depiction of a white supremacist gang in Venice Beach, Los Angeles. Seeking retribution for his father's murder and burning with rage, DerekVinyard Norton becomes the charismatic leader of a local White Powermovement.

Despite his intelligence, Derek's incendiary actions culminatein a brutal murder and three years in prison. Now on parole, Derekreturns home to find his brother, Danny Edward Furlong , being seducedby the same anger, bigotry and violence that almost destroyed his life.

I didn't get no answers 'cause I was asking the wrong questions. You have to ask the right questions. Derek Vinyard : Like what? Bob Sweeney : Has anything you've done made your life better? Alternate Versions The following is the difference between the theatrical version and the work print: The Theatrical Version has got a longer credits-sequence. First there is a black screen, then takes of the beach. The work print only shows some of these beach-shots.

The black guys are driving to the Vinyard's house longer. Also, Derek and Stacey were cut in between more frequently while having sex, like Danny after he had been awakened by the two others' noise. The burglar who is running away from the car is being hit by Derek. In the work print, you see the bullet going through him and hitting the tree behind.

In the Theatrical cut on the other hand you see him squirming on the ground for a longer time. In the theatrical Version Derek shoots longer at the car that is backing away. In the work print, though, you see an additional take of terrified Danny. In the work print, you see Derek walking to the second victim in extreme slow-motion for a bit longer, but otherwise it's identical to the theatrical Version. The work print first shows a text box saying "Three years later" and then a short scene of Danny going to school early.

Also, there are other takes of a couple kissing and the security checking a pupil. The work print starts with an additional exterior shot of the school. The discussion between Murray, the teacher Danny submitted the "My Mein Kampf"-essay, and principal Sweeney is identical in the beginning.

The work print is a bit longer in the end though, because Sweeney there says that he is certainly on Murray's side, since he knows Danny's behavior and the friends he hangs out with, but he still wants to talk to Danny in person. When Danny takes the little US-flag from the secretary's desk in Sweeney's outer office, you see her reaction. The two have eye contact for a moment. The structure of the conversation between Danny and Sweeney differs. In the work print, Sweeney throws away Danny's essay right in the beginning and, especially by doing that, appears much more stressed.

In the Theatrical Cut he starts off much more relaxed and first asks Danny how he is and even mentions that he had been teaching Danny's brother Derek in the past. Because of this, the whole tone of the dialog changes.

In the work print, the comment about Derek is heard later and it's shorter, too. In the work print, Danny is going through the school at the end of the scene. You hear Sweeney's voice over, threatening Danny to dispell him from school if he wouldn't finish the new essay the day after. In the Theatrical Cut, you hear this in the office. When the three black pupils pounce the white boy, the work print appears less polished, almost overhasty - unfinished.

The feigned helping and the kicking after that had only been shown in short cuts, just like Danny going to the leader. Real differences are being found in the dialogues, though. In the Theatrical Version, the black guy calls Danny a "Punk-ass white boy" and implies having a gun and Danny being scared, even though he's standing there very cool and blowing smoke into his face. In the Theatrical Cut, while going out, one of the other black pupils eventually suggests killing Danny.

Both these things are missing in the work print. The work print features two more comments by Danny at the end. For one, he shouts "go back to Africa" to the black guy, and for two, after helping the boy on the floor and saying he shouldn't let himself get pushed around he calls him a "fag". In the theatrical Cut you don't see any of this malice from Danny at this point. Sweeney's arrival at the station house is different.

In the theatrical Version, you only see him go to the door, in the work print he's asking a policeman about the Captain and gets sent to the conference room. The theatrical Version shows a few takes of local Neonazis, while some people in the room comment on this.

After the captain has introduced Sweeney to the other attendants, the work print shows the TV-interview with Derek after his father had been murdered. The Theatrical Version first deals with Cameron Alexander. In the work print, the reporter looks into the camera in a baffled way. The Theatrical Version cuts away before that happens. After the video tape finishes playing, the work print also shows the part about Cameron Alexander. There are no relevant differences in content.

Both versions end differently. While Sweeney says in the Theatrical Version that all hell's going to break lose, if something should happen to Derek after his dismissal, in the work print he says that Derek will probably cause no trouble, but should something happen with the Neonazis, Derek will probably be involved and it cannot be foreseen whether this would end good or bad. In the work print Sweeney and consequently the audience are not completely assured Derek moved on from his violent past.

Danny's voice over differs in the Venice Beach scene in which he is going to the boardwalk in Venice Beach and meets Henry, the black boy from the bathroom, although it's being shown with similar shots. In the theatrical Version, Danny says that Venice Beach used to be a great neighborhood, even though the boardwalk had always been a dump.

But since the gangs started spreading up like a plague, many white people do not dare to come back here.

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