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Even if microstructural studies of anodes in tested cells are of technological relevance, it is difficult to identify the effect from isolated parameters such as temperature, fuel gas composition and polarization. Model studies of high temperature aged Ni- YSZ cermets are generally performed in atmospheres containing relatively low concentrations of H2O. In this work, the microstructural degradation in both electrochemically longterm tested cells and high-temperature aged model materials are studied.
A large part of the work is focused on improving microstructural techniques and shows that the application of low acceleration voltages YSZ composites. By changing between the ordinary lateral SE detector and the inlens detector, using similar microscope settings, two very different sample characteristics are probed: 1 The difference in secondary emission coefficient, delta, between the percolating and non-percolating Ni is maximized in the low-voltage range due to a high delta for the former and the suppression of delta by a positive charge for the latter.
This difference yields a contrast between the two phases which is picked up by an inlens secondary electron detector. The contrast is illustrated in images collected by the normal secondary detector since parts of the secondary signals are generated by backscattered electrons. High temperature aging experiments of model Ni- YSZ anode cermets show. Penggunaan Mind Map dalam Pembuktian Matematika. Full Text Available Matematika merupakan salah satu bidang ilmu yang keberadaanya disusun dari suatu sistem yang penuh dengan perjanjian dan terbangun atas logika dari sekelompok unsur, relasi, dan operasi yang diramu secara aksiomatik serta kebenarannya harus terjamin.
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However, the erratic bond strength between HA and Ti alloy has raised concern over the long-term reliability of the implant. The influence of net plasma energy, plasma spray standoff distance, and post-spray heat treatment on microstructure, phase composition and mechanical properties were investigated. Results showed that coatings prepared with the optimum plasma sprayed condition showed a well-defined splat structure.
The microhardness, Young's modulus, fracture toughness, and bond strength increased significantly with the addition of YSZ. Post-spray heat treatment at degrees C and degrees C for up to 12h was found to further improve the mechanical properties of coatings. After the post-spray heat treatment, Korupsi dalam Film Indonesia. Full Text Available Abstract: Corruption has been rooted and institutionalized in our smallest environment. The campaign to fight corruption comes from various organizations through numerous varieties of means.
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Menggunakan metode analisis naratif dengan melihat unsur naratif, struktur naratif, analisis model aktan dan oposisi segi empat Algirdas Greimas, penelitian ini menemukan bahwa korupsi dinarasikan sebagai gangguan dan penghambat. Film tersebut selalu menghadapkan pelaku korupsi dengan pihak yang tidak korupsi secara langsung. Latar belakang pengetahuan tokoh utama tentang korupsi berpengaruh dalam pengambilan keputusannya.
Berbagai bentuk korupsi dinarasikan dengan teknik penggabungan scene, dialog dan flashback. Conceicao, Leandro da; Souza, Mariana M. Escola de Quimica; Ribeiro, Nielson F.
Programa de Engenharia Quimica. Nucleo de Catalise. Presentasi ini menjelaskan tentang peran green building dalam meningkatkan kualitas lingkungan. Lebih detail menjelaskan tentang peran green building dalam lima aspek: lokasi dan site, efisiensi air, energi, material, dan kualitas lingkungan dalam ruangan.
Real-time kinetic modeling of YSZ thin film roughness deposited by e-beam evaporation technique. In the present study, the process of yttrium-stabilized zirconia YSZ thin films deposition on optical quartz SiO 2 substrates using e-beam deposition technique controlling electron gun power is analyzed. It was found that electron gun power influences the non-monotonous kinetics of YSZ film surface roughness. The evolution of YSZ thin film surface roughness was analyzed by a kinetic model.
The model is based on the rate equations and includes processes of surface diffusion of the adatoms and the clusters, nucleation, growth and coalescence of islands in the case of thin film growth in Volmer-Weber mode. The analysis of the experimental results done by modeling explains non-monotonous kinetics and dependence of the surface roughness on the electron gun power.
A good quantitative agreement with experimental results is obtained taking into account the initial roughness of the substrate surface and the amount of the clusters in the flux of evaporated material. YBCO films were grown by the trifluoroacetates route on top of CeO 2 buffer layers made by metal-organic decomposition. The achievement of atomically flat CeO 2 surfaces is found to be a key factor for obtaining clean interfaces with YBCO and high performance.
Improving carbon tolerance of Ni- YSZ catalytic porous membrane by palladium addition for low temperature steam methane reforming. Palladium was added on the Ni- YSZ catalytic porous membrane by wet impregnation and electroless plating methods. Its surface morphology characteristics and carbon deposition properties for the low temperature steam methane reforming were investigated.
The addition of palladium could obviously be enhanced the catalytic activity as well as carbon tolerance of the Ni- YSZ porous membrane. Thermodynamic calculations were carried out to assess the vaporisation of Ni in the conditions tested. The rate and mechanisms of conductivity degradation due to Ni particle growth are discussed in light of the measurements, modelling and literature Two series of anode supported solid oxide fuel cells SOFC were prepared, one with a composite cathode layer of lanthanum strontium manganite LSM and yttria stabilized zirconia YSZ on top and the other further has a LSM current collector layer on top.
The fuel cells were heat treated at Formation of monoclinic zirconia and zirconate phases was also observed. These results give a closer insight into possible degradation mechanisms of SOFC composite cathode materials in dependence of humidity and oxygen partial It is proven that sulphur stops steam reforming activity whereas the electrochemistry is only affected to a limited degree, showing that up-grading of biogas using SOEC with Ni To develop a liquid Pb-Bi cooled reactor, it is necessary to solve the structural material corrosion problem caused by Pb-Bi.
This experiment examine the fundamental behaviors to practically test the oxide film formation on the surface of structural material known as solution of corrosion inhibition in liquid Pb-Bi.
The corrosion inhibition through oxide film formation is to prevent metals from dissolving into liquid Pb-Bi though not forming coolants slug resulted from oxidation. In this paper, we examined the oxygen pressure controllability using YSZ in cover gas, and theoretically derived the relationship between oxygen cover gas pressure and dissolved oxygen in liquid Pb-Bi. The size of electronic leak currents through the YSZ electrolyte of solid oxide cells have been calculated using basic solid state electrochemical relations and literature data.
The distribution of the electromotive potential, of Galvani potential, of concentration of electrons, e, and electron The results are illustrated with examples. The effects of electrolyte thickness, temperature and cell voltage on the electronic leak current Subsequently, nano structured cermet anodes were fabricated using the prepared Ni- YSZ core-shell powders.
Systematic studies indicated that the morphology and electrical conductivity of the prepared Ni- YSZ core-shell powders and the cermet anode varied, depending on the initial particle size of the Ni particles. Of the different samples prepared in this study, the Ni- YSZ cermet prepared using Ni particles of size 0. However, microstructural analysis revealed segregation and formation of Nb enriched particles in the 50 vol.
Full Text Available 3D microstructure-performance relationships in Ni- YSZ anodes for electrolyte-supported cells are investigated in terms of the correlation between the triple phase boundary TPB length and polarization resistance Rpol.
In general the TPB lengths correlate with anode performance. However, the quantitative results also show that there is no simplistic relationship between TPB and Rpol.
The degradation mechanism strongly depends on the initial microstructure. Finer microstructures exhibit lower degradation rates of TPB and Rpol. The latter is attributed to weak bottlenecks associated with lower sintering activity of the coarse YSZ. Surprisingly, this severe microstructure degradation did not lead to electrochemical failure.
Mechanistic scenarios are discussed for different anode microstructures. These scenarios are based on a model for coupled charge transfer and transport, which allows using TPB and effective properties as input. The mechanistic scenarios describe the microstructure influence on current distributions, which explains the observed complex relationship between TPB lengths and anode performances.
The observed loss of YSZ percolation in the coarse anode is not detrimental because the electrochemical activity is concentrated in a narrow active layer. The anode performance can be predicted reliably if the volume-averaged properties TPBactive, effective ionic conductivity are corrected for the so-called short-range effect, which is particularly important in cases with a narrow active layer.
The coated layers are amorphous structure of mixture oxides and quasi-crystal structure of SBO before and after growth, respectively. The total time by this quick CSD route for organic solvent volatilization, salts decomposed and layer growth is not up to 2 h, which are much less than that needed for traditional CSD of over 10 h.
However, the quantitative results also show that there is no simplistic relationship between TPB and R pol. Finer microstructures exhibit lower degradation rates of TPB and R pol.
The anode performance can be predicted reliably if the volume-averaged properties TPB active , effective ionic conductivity are corrected for the so-called short-range effect, which is particularly important in cases with a narrow active layer. Analysis of literature data reveals that several apparently different and even in one case apparently A hypothesis that unravels the apparent contradiction Wayang dalam Tari Sunda Gaya Priangan.
Awalnya kata wayang diartikan untuk menyebut boneka dari kayu yang dimainkan dalang dalam pertunjukan seni pedalangan atau untuk menunjukkan ceritanya dalam pertunjukan seni padalangan, dan juga bisa secara langsung untuk menyebut seni padalangan Wayang Golek. Selanjutnya potensi wayang ini berpengaruh kuat ke dalam beberapa aspek kehidupan yang berbau kepercayaan dan juga kesenian, termasuk ke tari Sunda gaya Priangan.
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Lahirnya Wayang Wong Priangan, terungkap sebagai bentuk dramatari berdialog dengan membawakan cerita wayang secara utuh atau sebagian, dan senantiasa adanya pertentangan antara tokoh wayang yang jahat dengan yang menumpas kejahatan. Kata kunci: subkultur Priangan, Tari Wayang, gaya Priangan.
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Preparation and characterization of epitaxially grown unsupported yttria-stabilized zirconia YSZ thin films. A combined methodological approach by dedicated surface science analytical characterization tools transmission electron microscopy and diffraction, atomic force microscopy, angle-resolved X-ray photoelectron spectroscopy reveals that the film grows mainly in a [0 0 1] zone axis and no Y-enrichment in surface or bulk regions takes place.
In fact, the Y-content of the sputter target is preserved in the thin films. Analysis of the plasmon region in EEL spectra indicates a defective nature of the as-deposited films, which can be suppressed by post-deposition oxidation at K. This, however, induces considerable sintering, as deduced from surface morphology measurements by AFM.
In due course, the so-prepared unsupported YSZ films might act as well-defined model systems also for technological applications. A coating can be deposited from liquid splats, nano-sized clusters, and the vapor phase forming different structured coatings, which shows obvious advantages in contrast to conventional technologies like atmospheric plasma spray APS and electron beam-physical vapor deposition EB-PVD.
In addition, it can be used to produce thin, dense, and porous ceramic coatings for special applications because of its special characteristics, such as high power, very low pressure, etc. These provide new opportunities to obtain different advanced microstructures, thus to meet the growing requirements of modern functional coatings. In this work, focusing on exploiting the potential of gas-phase deposition from PS-PVD, a series of 7 YSZ coating experiments with various process conditions was performed in order to better understand the deposition process in PS-PVD, where coatings were deposited on different substrates including graphite and zirconia.
Meanwhile, various substrate temperatures were investigated for the same substrate. Besides, undercooling of the interface between substrate and vapor phase plays an important role in coating structures. In this work, NiO- YSZ composite powders were synthesized by a combustion process with urea as fuel, and the effect of the addition of carbon black and corn and rice starch as pore former were investigated.
Results showed that ceramic composite has homogeneous microstructure and pores have different morphology and size depending on the kind of the pore former employed. A study on the effect of heat treatment on electrical properties of plasma sprayed YSZ. Free standing samples of plasma sprayed PS zirconia partially stabilized with yettria YSZ were prepared with two machines of plasma spray deposition Triplex gun- kw, F-4 gun 64 kw have different electrical power and spraying parameters, which produced different microstructures; contain different amounts and varieties of pores and micro-cracks.
The study included heat treatment of samples at degree C for 1 h, 5 h, 10 h, h and h, to study the changes in macrostructure pores and micro-cracks which affect the electrical conductivity. Dialog Senja Playlist MP3 Wednesday 8 April Thursday 9 April Friday 10 April Saturday 11 April Sunday 12 April Monday 13 April Tuesday 14 April Wednesday 15 April Friday 17 April Saturday 18 April Sunday 19 April Monday 20 April Tuesday 21 April Wednesday 22 April Thursday 23 April Friday 24 April Saturday 25 April Sunday 26 April Monday 27 April Tuesday 28 April Wednesday 29 April Thursday 30 April Friday 1 May Saturday 2 May Sunday 3 May Monday 4 May Tuesday 5 May Wednesday 6 May Thursday 7 May Friday 8 May Saturday 9 May All the fields in the source.
Specifies the fields to be included in the dataset. The first element is an operator and the rest of the elements its arguments. See the section below for more details. Specifies the default objective field. Example: true size optional Integer,default is the source's size The number of bytes from the source that you want to use.
Example: You can also use curl to customize a new dataset with a name, and different size, and only a few fields from the original source. If you do not specify a size, BigML. If you do not specify any fields BigML. This predicate is specified as a possibly nested JSON list whose first element is an operator and the rest of the elements its arguments. Here's an example of a filter specification to choose only those rows whose field "" is less than 3. Note how you're not limited to two arguments.
It's also worth noting that for a filter like that one to be accepted, all three fields must have the same optype e. The field operator also accepts as arguments the field's name as a string or the row column as an integer. If you have duplicated field names, the best thing to do is to use either column numbers or field identifiers in your filters, to avoid ambiguities.
Besides a field's value, one can also ask whether it's missing or not. Poisonous solitude. Raw honesty. They herded Is' lyrics carefully, making sounds that are necessary, far from boisterous. You could blame the picturesque Teater Pagupon, cultural den that groomed their lush approach into keroncong and jazz nuance.
Schooled with more moody touch of arrangements, their years in the theatre group is the same reason why I think Payung Teduh's music is shaped cinematically, with careful precision of tender feelings. The tranquility promised in Payung Teduh's music leaves you with limited choice: somewhere between contemplation or relaxation. The grey area between those two would be feeling sleepy and unmotivated, which become main reason why I'm telling you not to listen to them to boost your mood in the morning, or to whip your ass while studying for exams and deadlines.
Those exact same reasons are also why i think their live performance is quite tricky, especially in big stages and festivals. Sometimes you need to be lively and expressive to really dominate the stage, and in their case this would be a problem. But there is nothing tricky from Payung Teduh's popularity.
The quartet's instant fame proofs that people miss good music with good lyrics. The attempt to normalise keroncong music into something more tangible is another strong point from the Depok-based quartet.
Asked about their music in an interview with BBC Indonesia, they revealed that the calming, soothing mood is deliberately embraced to counter Jakarta's tiring life. Jakarta is already super hectic, at least our listener could sit down and relax a bit with our music, they explained. Small number of Indonesian bands that could establish a strong presence of locality in their music -- especially lyrically -- and they are definitely one of them.
And you can really sense the honesty in their music. There is nothing superficial, and baked with a serious degree of commitment. I like the way young people this doesn't mean that I'm old! It's the easiest way to build your presence, whether it's a nowplaying hashtags or after-gig Instagram posts.
And the great Payung Teduh, is the perfect band to spoil you with those values. First initiated by one of the very few die-hard, uncompromising, anti-graft groups, Indonesia Corruption Watch. The compilation can be downloaded at twitter: naviculamusic facebook. I can feel the anxiety in the air. Several set of eye contacts between them but that is it, no conversation and I thought it was because of the long day they had. What a cool old-school crib, I thought.
The best or the worst way to start a band, IMO. Again the best or the worst timing to start a band. Especially a unit this good. My sloven examination from afar said that these guys are not part of particular music circles in Jakarta that usually create saturated exposure from public, so if they gain extra attention, it is certainly because of their quality.
When we finally started the set, I immediately realized that the anxiety I spotted came from the need of one rare thing: perfection.
I can see they continuously anxious about the music: repeatedly checking audio, arrangement and so forth which is an obvious sign of a healthy band.
I heard character, I saw passion and I felt strong presence. They are a rare breed we managed to archive, among various new talents in Indonesia. I ran through of their songs a day before we shoot Homework as usual and I found so many things to say. The kind of composition that will start a fire in your belly. I never encounter a band this young with the ability to design and shape such a precise framework, with the right amount of influence, in the same time carries novelty.
A comprehensive look and investigation in the sound department only resulted in one thing: compactness. Scaller has defined their texture and dynamic while maintaining entertaining performance. When I hear such different colors put into one song, I often generalize the attempt as lack of curation, but the boys and girl have convinced me the other way.
Meticulous bits, huge hooks and rhythmic syncopes all in one performance. One song usually consists of minimum two crossroads where they make a significant turn to other direction. Three sources of energy between the members is supported by athletic chemistry and thorough sound exploration. You will find various anatomies flowed as independent entities but framed in the same song, first will be a bit confusing until you find yourself repeating the same track for hundred times.
Exactly like drugs, only without a chance of getting busted by the cops. Great talents from Indonesia need to be archived, so everyone has access to watch and appreciate them more. We are proud and grateful to archive this performance. They need more stage, more coverage, more interviews and more recognition. Sounds From the Corner presents: Scaller! What did the 90s teach you? Good Pop music empowers you in the simplest ways: honest, straightforward and strangely, well marketed.
Sheila on 7 formed in and the first album was released at the edge of the decade but the self-titled album resonated pretty much how Indonesian Pop Music was back then. This was when the industry was still working, arguably healthy.
But being where I am now, I feel in the 90s there were values about nurturing music that are being abandoned today. Digging acknowledgements were obviously harder. Therefore, process of building presence was longer and tougher.
This is usually where consistency and character come, inexplicably. Song crafting was simpler, with limited sources of reference and information, making interaction and chemistry obligatory. The weight of music as an art form was still protruding, lyrics was an essential component and often built in a poetic way. S07 musical ingredients are simple, really. This performance hit me in the face, made me realize how important being real and humble in music.
It was not only good music, but also a proper, well-delivered entertainment for the audience. S07 were not trying to be someone else, the planned stage gimmicks were all spot on and cohesive with their image as a band. Even the random ones - like when GIGI frontman Armand Maulana showed up, quickly mirrored by the other members of the group just to say hi to them - looked surprisingly natural.
S07 is a living proof of good pop music from real people. We are proud to archive this performance, one of the longest running Pop band in Indonesia. Film ini mengikuti ketiganya secara intim dan mengangkat keseharian mereka yang terpinggirkan dari hiruk-pikuk Ibukota, tanpa rekayasa. Film Jalanan memenangkan penghargaan di Busan International Film Festival sebagai film dokumenter terbaik Segera Saksikan! Nyala Suara 2. Bahas Bahasa 3.
Sendu Melagu 4. Api dan Lentera 5. Tarintih 6. Mine is Nickelback. So sad, but true: Indonesian kids during the MTV era were the perfect target for this attempt. We thought we knew Rock music and we thought we were so cool, when actually the polarised information from the old media outlets skewed our perspective towards the rich and vibrant musical environment. The term rock music slowly became irrelevant when the Internet brought media, audience and the gatekeeper on the vessel.
The Pandora Box was opened, knowledge exchange was fuelled by the online acknowledgement and a huge natural selection from the bands defining their own terms was inevitable, leaving bands who still nodding to be defined as rock band being perceived as nothing but bumbling and clownish no offense, Scott Stapp.
The Internet was and will always be a monumental fuck you slam-dunk for giant-greedy music corporations, leaving MTV crippled, airing bland videos from Korean Girlbands and re-run of Pimp my Ride talking about MTV Asia.
Today, I can say proclaiming your band as a Rock band, is either lazy, or poorly informed. So the next question is, today where does Barasuara stand? Is it a Rock band? One thing for sure, it is not just Rock music. From the first time Iga Massardi sent me raw sketches of Barasuara - couple years ago, I promptly managed to save a permanent empty space in my head for further anticipation, resulted in stable satisfaction.
Listening to the early demo tapes, I was playing hide and seek with my expectation until finally Sounds From the Corner had the chance to produce so far our best session this year.
Believe me, the band is far from Rock. What I studied from his role in Barasuara could be condensed in one sentence: Innovation is vital, but consistency is key. With that line-up, making the rest of the member as additional players will be plain foolish. Already well-known bandmates Marco Steffiano, Gerald Situmorang, Asteriska Cabrini, Puti Chitara and TJ Kusuma are not only doing what they told to do, but also contribute substantial amount of power and clarity into the songs.
Songwriting is responsibly fresh, sound treatment is top-notch. Arrangement department is a nutritious delicacy for the hungry souls: you will recognise some Tinariwen juice, Sondre Lerche appetiser served with Jack White as Entree and some DD Dumbo as dessert.
While the existence of backup singers in a band usually ended with question marks, the tranquility promised by Asteriska and Puti is far from ineffective, in fact they are the secret game changer of the whole Barasuara experience.
Another thing that I noticed from Barasuara is they put real effort to avoid cliches. Right when you start to identify the pattern of the songs, suddenly they mutated into a different dimension, revitalised the songs for a moment before finally entering the punishing closure. It is always our aim to introduce good music to a wider scale of audience, and Barasuara is the perfect accomplishment of that mission.
Thank us later, these six songs are fresh from the oven, presumably your first proper encounter with the band. After watching the session, I should ask you one last time: Is Barasuara a rock band? You decide. Finally, nostalgia being utilized properly. The challenging part kicks in: how to sustain? Early generation of millennials can still remember how media was subtly monitored, injecting singular definition of pop music which was bland and vague, making all of the treasure from the past slowly forgotten.
Fast forward 15 years from the 90s, it is not a surprise for me to witness how the colossal pop music heritage being caught mainly by sidestream crowd and practitioner.
Boosted by the swift discovery in the digital era, the masterful pieces have been successfully recaptured, reimagined and represented by various musicians and initiatives. The likes of Yockie and Guruh projected values that previous regime wanted to erase: progressiveness, diversity, and openness.Everyone Goes to Heaven 2. Refuse To Forget 3. Bubur Kayu 4. Aku Bukan Mesin How far consistency and honesty could take you and your music? We're living in the era where everyone could make anything. Share everything. Today you could be Miley Cyrus twerking in free download dialog dini hari full album lengkung langit awards and next day you are Mother Teresa sending prayers to the poor. There are no boundaries. There is no rule. The Internet has swamped our life. Information asymmetry swallows our identities. We in Sounds From The Harry potter 1 full movie online free believe that today, in music, consistency and honesty by far are the only sanctified currency. 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